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TEST DRIVE MEME 005
⚰︎ ⍢ ⌲ ⍚ TEST DRIVE MEME:
Welcome to RUBILYKSKOYE — a dark, horror-smut game where player choices will drive a mod-run storyline about the world and its NPCs. This test drive meme provides a medley of prompts evoking the game's general tone.
THESE THREADS CAN BE GAME CANON if both players are accepted into the game and agree to it. However, if players who'd prefer to start fresh are welcome to reuse these prompts in their own personal logs upon acceptance into the communities. Note: the universal test drive arrival prompt will not be repeated on the any event log, but players are welcome to reuse the prompt.
CONTENT WARNINGS for this game include: monsters, body horror, dub-con, non-con, religion, blood/violence, and marking/branding, loss of autonomy/self, and mental influences. This log additionally has warnings for: spiders, aphrodisiac and truth serum effects, public nudity, exhibitionism/voyeurism, bdsm, kink negotiation, social pressure, and animal sacrifice.
If you have QUESTIONS about the test drive prompts, please ask HERE. Questions about the game itself or the general setting should be directed to the FAQ.
FAQ ✧ SETTING ✧ CALENDAR ✧ RESERVES ✧ APPLICATIONS
THESE THREADS CAN BE GAME CANON if both players are accepted into the game and agree to it. However, if players who'd prefer to start fresh are welcome to reuse these prompts in their own personal logs upon acceptance into the communities. Note: the universal test drive arrival prompt will not be repeated on the any event log, but players are welcome to reuse the prompt.
CONTENT WARNINGS for this game include: monsters, body horror, dub-con, non-con, religion, blood/violence, and marking/branding, loss of autonomy/self, and mental influences. This log additionally has warnings for: spiders, aphrodisiac and truth serum effects, public nudity, exhibitionism/voyeurism, bdsm, kink negotiation, social pressure, and animal sacrifice.
If you have QUESTIONS about the test drive prompts, please ask HERE. Questions about the game itself or the general setting should be directed to the FAQ.
IN THE WOODS SOMEWHERE
The chirping of partridges in the treetops rouses you. Light barely filters through the canopy, just enough to suggest daylight. By the time it reaches the forest floor, the light has taken on a sickly green. You lie amongst the frost-covered mosses and ferns, the frozen soil cold and just a little damp on your bare skin. Wherever you were before this moment, whatever you were doing or wearing, when you awaken in this forest, you find yourself naked and helpless as the day you were born. As you sit up and get your bearings, aside from a brief wave of disoriented nausea, you seem to be no worse for wear than you last remember.
You seem to be alone. The gnarled oaks and moss suggest no sign of civilization or sentient life. Just flickers of movement from curious squirrels or brave lizards reemerging after a long winter. With your feet under you, and you'll find the wood is filled with berry bushes and nut trees, though much of the fruit has been picked clean. The freshwater stream that runs north-south, populated by both poisonous toads and delicious crawdads, will lead people towards the first signs of civilisation, the cabins of those who choose to live beyond Rubilyskoye's formidable walls.
In the forest, you may run into others with stories just like yours. Some may have already formed clumsy nudist groups, others may still be processing their confusion, with no memory of how they got here. Now is a good time to overcome any hang-ups you have about modesty; it's going to be a long hike.
Turn your back to the darker, shadowy parts of the forest and eventually the glow of manmade lights and the curve of a dirt road may come into view. At the edge of the wood, you'll find a town surrounded by a fifty-foot wall of beige stone. The only entrance is an iron gate positioned on the southern edge. When you arrive, the gate is already open, welcoming people inside.
This quaint, historic town of five-thousand has cobbled street and signs lit by gas lamp. Wooden shutters protect otherwise open-air windows on the buildings, which are all under three stories with gabled roofs. A number of businesses hug the main street — a clockmaker, a cobbler, a grocer — while residential homes sprawl outwards towards the wall. At the far end of the main street, visible about a mile to the north now that the trees and the enormous wall is out of the way, sits a castle with three towers.
When you enter, the streets are full of people, but despite any efforts on your part to hide or make excuses, they don't seem offended by your nakedness. Even families with children don't gawk or look twice. Those determined to find proper clothing regardless will find that modern clothing stores aren't available — the closest this town has is a tailor's shop and a stand in the central marketplace selling scarves and blankets.
breaking and entering
If you intend to have your character break into someone's house or yard to steal some of their clean laundry, please review the info about game laws on the FAQ and give the mods a heads up HERE.
Fortunately, the people of the town are very generous! Anyone who ask the locals will be directed to the boarding house for both clothes and a place to stay. Accessible through an embellished iron garden gate and obscured by hanging plants, trees, and vines, beyond an overgrown yard in the residential sprawl of the town is a bright-red door, which opens to a spacious cottage of several stories. It's already full of people who appeared in the village just as you did today.
finding roommates
Don't spend too much time asking questions in the common areas. You'll want to claim a bedroom quickly because each one only has two full-size beds, and there aren't enough spaces for everyone. Maybe you'll get lucky and run into someone who has decided to move out? (Roommates will not be mod-assigned; players should coordinate directly with one another to determine their living arrangements; at this point, many characters have used activity rewards to move to accomodation outside the boarding house.)
Get a good night's rest. By the light of day, locals will help get the new arrivals set up on the coal stove with a breakfast of thick grain porridge and caramelised bananas from the new peaks; these NPCs can also answer any questions about the situation. You may notice they're dressed in a way you would almost call normal — at least, in a manner befitting 19th century Eastern Europe. Gossip about new arrivals spreads quickly, and Rubeans who run businesses or train trades are eager to help you find a place to apply your skills so you can contribute to your new home.
writer's block?
If you're struggling to pick a way to engage the prompts, try: naked hiking, acquiring clothing, being offered work, asking questions over breakfast, or staking your claim on a bedroom!
HEARTS FESTIVAL
New arrivals to Rubilykskoye will find themselves strongly encouraged to participate in the current zadza purging festival, and will be assigned either a collar in leather or iron based on their Niez or Wilk mark, or a wrist-strap or manacle that suits the attachment of a leash for those with a Diabel or Skala mark.
Characters are encouraged to embrace this temporary designation as a sign that they will be good citizens; those who object or ignore their designation may find the NPCs try to helpfully guide them, express displeasure at "Void-Touched" who won't assimilate, or in rare cases exert social pressure, coercion, violence or shunning to ensure compliance.
Throughout town various NPCs have set up tents and booths to host myriad performances, workshops, demonstrations, and food stands for their celebration. The foods were made using some of the new flora that have brought back from the peaks. Characters can get their hands on the following heart-themed foods from the second day of the festival onwards:
The nature of the booths set up for performances, workshops, and other goods focuses around the festival's dominance and submission themes. These persist throughout the day regardless of the hour or the audience, so very few people can be found consistently at their places of work during the day this week. In addition:
However, characters may also come across some carnival games operated by NPCs who are eager to help the Duchess find her heart! Some involve slaughtering livestock by removing their hearts—rest assured, these livestock were already on the menu, but their ritual sacrifice will now involve the cutting out of their hearts. Cut out an animal's heart yourself, or just attend the show! Many of the townspeople will get into it, painting their faces with animal blood or drinking from it.
Characters are encouraged to embrace this temporary designation as a sign that they will be good citizens; those who object or ignore their designation may find the NPCs try to helpfully guide them, express displeasure at "Void-Touched" who won't assimilate, or in rare cases exert social pressure, coercion, violence or shunning to ensure compliance.
Throughout town various NPCs have set up tents and booths to host myriad performances, workshops, demonstrations, and food stands for their celebration. The foods were made using some of the new flora that have brought back from the peaks. Characters can get their hands on the following heart-themed foods from the second day of the festival onwards:
- HEART-SHAPED COOKIES: eating these intensifies body heat, making characters a great cuddle buddy for the cold weather and likely to strip down, feeling overheated even in a snowdrift
- BEEF HEART STEW WITH DUXELLES: eating these fills those who consume it with confidence, making them more solicitous and dominant
- LIME-GLAZED GOAT HEART SATAY: eating these intensifies sensation, making characters more sensitive to both pain and pleasure
- CINNAMON GLUWEIN: drinking a cup of this hot beverage will make characters especially honest
The nature of the booths set up for performances, workshops, and other goods focuses around the festival's dominance and submission themes. These persist throughout the day regardless of the hour or the audience, so very few people can be found consistently at their places of work during the day this week. In addition:
- Skala and diabel NPCs may offer to share their partner(s) with the Void-touched, or ask to share theirs.
- PIOTR, a farmer, brings tools over from the farm including bridles and saddles, which can be found at a booth near some hunters who've made anal plugs that end with real animal tails, as well as muzzles.
- The cages from the Moot Hall have been moved into the streets, and people are allowed to move freely in and out of them. One of them has been covered in curtains to function as a glory hole booth.
- Some niez and wilk NPCs line up near the main event stage and kneel to offer themselves as human furniture.
However, characters may also come across some carnival games operated by NPCs who are eager to help the Duchess find her heart! Some involve slaughtering livestock by removing their hearts—rest assured, these livestock were already on the menu, but their ritual sacrifice will now involve the cutting out of their hearts. Cut out an animal's heart yourself, or just attend the show! Many of the townspeople will get into it, painting their faces with animal blood or drinking from it.
writer's block?
If you're struggling to pick a way to engage the prompts, try reacting to being assigned a dominant or submissive role, scenes where your character is starting to feel the effects of the food, watching (or participating in) a performance, or joining in on a gory animal sacrifice. NPCs that are usually welcoming may strongly pressure even new arrivals to participate in their cultural festivities.
the fathomless dark
At the outer edges of the forest, shadows grow long and the air grows thick. Though the sun never grows warm red-gold with sunset, the wood darkens. Birdsong is replaced by the click of mandibles and the skitter of many legs. Anyone who ventures out this way will soon find it difficult to see before them, even in the middle of the day — eventually, even the brightest magical light source or darkvision cannot stretch further than a few inches. In the void, the air feels heavy, as if it were not air at all but some more solid mass. Almost like liquid-smoke, it presses down upon you. Slowing your movements. Characters who push too far into the void may stop being able to move at all, and find themselves given over to insanity if they collapse, unable to draw themselves out. This is just one of many dangers.
Monsters thrive this far out. Huge, blood-red spiders the size of hunting dogs drop from the treetops. In addition to their venomous bite, which contains a fast-acting paralytic, these creatures are clever: they attempt to use their webbing to entangle any trespassers, binding limbs together or to trees. If you're unfortunate to become fully cocooned, you don't have long before this forest will be the last thing you see.
Those who seem lucky enough not to run afoul of the monsters here are in for a worse fate. The void can play tricks on your senses. As madness sets in and you lose all sense of direction, you may also lose control of your body — what is that steers your hands to turn against your friends? Why does it sound like your own voice whispering?
In the fog, you may also hear the voices of those familiar to you — people you know from the town, or people whom you know with almost perfect certainty aren't here. these figments may recreate unhappy memories or force trespassers to hallucinate their worst nightmares. Nothing is as it seems in the void, and when you swing at these figments, desperate to silence them, it might not be a figment at all, but a friend in the flesh trying to help you. By the time you see their true face, it could be too late to stop yourself.
writer's block?
If you're struggling to pick a way to engage the prompts, try fighting a monster, hallucinating your worst nightmares, and/or attacking a friend or stranger!
HIDING INSIDE EACH OF US
Uh oh spaghetti-os.
The marks worn by all residents of Rubilykskoye aren't just cool body art, as it turns out. The town is full of rumors, whispered in shadows and over candles of a starving creature hiding in the dark corners of your chest. Feed your inner beast, they say, before it finds a way to feed itself.
Alas, its emergence is inevitable — sooner or later, the horrible things that happen here pile up and make someone repulsed by the idea of human contact. Someone holds themselves back, bites their tongue, or simply does not believe the stories. Today, for one reason or another, that creature is coming out. Someone hasn't been keeping it sated.
Symptoms escalate over weeks, from monstrous irritability to full-blown body horror transformation, where people physically shed their human forms and evolve into the monsters this place made them. Once a person becomes something more (or less) than human there's only one way to go back — sate the beast.
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Poor Merta Chesnokov, the usually stalwart older woman who mans the Apothecary, has been beset by unusual requests in addition to her regular demands, not to mention sweating blood. The festival, a rash of skala blood flu, and a little extra town chaos in January, has brought a high demand to her little shop. Now there's also a local fashion springing up for teas and herbal remedies sourced from the recently revealed tropical mountains.
After another failed tisane test drive, and the third customer asking for a new kind of aphrodisiac to add to their festival food, she was seen tossing down her work knife with uncharacteristic frustration, and taking an "early lunch" that she didn't return from that night. Though her children, friends and employees reach out to her, there's no sign of her until you stumble upon her in the woods.
Merta overboils with her suppressed fury as her body distorts and her flesh blackens and crusts. Her attempts to hold off her transformation have failed, and Merta turns into a Smoldering Skink, a large repillian creature whose thick scales hold back her magmatic insides. The noise she makes is an unhearthly hissing scream like a boiling kettle, and she attempts to vent her pent-up stress by wildly attacking everything in sight. Immediately, the surroundings catch aflame! There will be a small fire eating at the dead wood of a long winter if it's not put out, but your first priority might have to be fielding a stampeding lizard with massive teeth and burning hot scales...
(There are other monsters lurking in every townsperson — feel free to invent your own npc monsters and scenarios!)
The marks worn by all residents of Rubilykskoye aren't just cool body art, as it turns out. The town is full of rumors, whispered in shadows and over candles of a starving creature hiding in the dark corners of your chest. Feed your inner beast, they say, before it finds a way to feed itself.
Alas, its emergence is inevitable — sooner or later, the horrible things that happen here pile up and make someone repulsed by the idea of human contact. Someone holds themselves back, bites their tongue, or simply does not believe the stories. Today, for one reason or another, that creature is coming out. Someone hasn't been keeping it sated.
Symptoms escalate over weeks, from monstrous irritability to full-blown body horror transformation, where people physically shed their human forms and evolve into the monsters this place made them. Once a person becomes something more (or less) than human there's only one way to go back — sate the beast.
someone else transforms
After another failed tisane test drive, and the third customer asking for a new kind of aphrodisiac to add to their festival food, she was seen tossing down her work knife with uncharacteristic frustration, and taking an "early lunch" that she didn't return from that night. Though her children, friends and employees reach out to her, there's no sign of her until you stumble upon her in the woods.
Merta overboils with her suppressed fury as her body distorts and her flesh blackens and crusts. Her attempts to hold off her transformation have failed, and Merta turns into a Smoldering Skink, a large repillian creature whose thick scales hold back her magmatic insides. The noise she makes is an unhearthly hissing scream like a boiling kettle, and she attempts to vent her pent-up stress by wildly attacking everything in sight. Immediately, the surroundings catch aflame! There will be a small fire eating at the dead wood of a long winter if it's not put out, but your first priority might have to be fielding a stampeding lizard with massive teeth and burning hot scales...
(There are other monsters lurking in every townsperson — feel free to invent your own npc monsters and scenarios!)
you waited too long
At first, as you hide yourself from your darker impulses, a subtle itch develops under your skin. An irritability that makes you snap at the person who bumps into you on the stairs because all those fleeting emotions that you've been repressing bubble to the surface. Every dark thought you've had about being here, all the fears of never getting home, of being surrounded by ticking time bombs, the anxiety of wondering who you might hurt or what relationships you might betray by doing what you have to do. The anger. Oh, the anger.
Maybe you shut yourself in your room or run into the woods to hide away, but there's only so much you can do to deny the itch that grows into hunger like a spark catching and growing to wildfire. Someone comes to check on you. That knock on the door or crunch of leaves in the wood that fills you with dread at what you might do and hope that you will be sated.
As claws and fangs and scales and spines and fur grow and your body transforms with a sickening crunch of bones and peeling of skin, so do your appetites. If you won't sate them, you'll lose yourself to your beastly impulses sooner or later, mauling friends and taking your fill. Is it better or worse if only your claws get inside of them?
Maybe you shut yourself in your room or run into the woods to hide away, but there's only so much you can do to deny the itch that grows into hunger like a spark catching and growing to wildfire. Someone comes to check on you. That knock on the door or crunch of leaves in the wood that fills you with dread at what you might do and hope that you will be sated.
As claws and fangs and scales and spines and fur grow and your body transforms with a sickening crunch of bones and peeling of skin, so do your appetites. If you won't sate them, you'll lose yourself to your beastly impulses sooner or later, mauling friends and taking your fill. Is it better or worse if only your claws get inside of them?
no subject
She has definitely missed looking at him. Looking and touching, though. What a new marvel of a combination to have access to. She aches to settle in his lap, connect every point of skin possible with his own. Blanket him in attention and affection from every pore, every atom.
He'd probably kind of hate that.
When Ransom makes a face and then tenses at her words, Marta smooths her thumb across the skin just below his bottom lip.
You can do what you want doesn't feel, this time, the same as it did the last he volleyed those words in her direction; less the sinking of teeth into heart, but slightly bared teeth and hackles raised in its place. An offer and a warning, both, from the man who is reluctant to accept the idea that what she wants is to witness, if not have a direct hand in, his happiness.
Even though she knows him. Explicitly because of that, even.
She could tell him with her words what she wants... or...
With both hands now she frames his face, fingers taking in bone structure and what exists of new beard growth along his jaw. "We would both hate if I shared a room with someone else."
Marta doesn't give him much space to confirm or deny that fact before she leans up to kiss him. As kisses go, it is neither demanding nor particularly racy; a press of lips, soft yet unyielding in its presence.
She doesn't hold it for very long. Long enough, perhaps, for him to read the comfort and longing in it, but not for him to feel trapped by it. That's the hope, anyway; but even when she pulls back enough to watch his expression again, her hands remain on his face.
no subject
As such he's already a little short of air in his lungs. It's not the kiss itself that steals the rest, not really. And trapped isn't really the right word. It's just always been a means to an end, and having explicitly eschewed that end, maybe he should've said no. Because it is what it is, no more and no less. The intention she bleeds into it. The necessity of his reaction. They are not just bodies.
Trapped is where he's been. The mind-numbing repetition of it all, and before that, the realization that one way or another he was going to die there. Until they'd started texting he hadn't always been able to tell one day from the next. She's given a structure to his days and an anticipation to his nights. Ransom still thinks his concerns about trading one prison for another are valid. Maybe he has just by virtue of being here, and that has nothing to do with her. But what he feels with her mouth on his is yet another shift in his understanding of the space he occupies.
There's no one watching him but her.
There are no walls around him that he can't leave.
There's nothing between them but air and water.
It's like a knife being pulled out of him. But that's no less painful than when it goes in; maybe more so, and it leaves behind the exposed wound.
Ransom looks back at her, then up, her fingertips providing the slightest resistance. He murmurs, "Shit," at the ceiling, then slides down out of Marta's grasp, leaving a trail of bubbles behind him, released so he can sink to the bottom of the bath. He's not out of reach, just — underwater, at her feet. He'll come up when he feels like it, or when his lungs start to burn, whichever comes first.
no subject
The first is pretty straightforward: It's gotta hurt. A statement of fact as much as it is an observation of how he's doing. It's gotta hurt.
The second is a non-stop emotional check-in about it, running concurrently with a timer once Ransom moves downward and into the water beneath her hands. She feels bad it hurts, despite knowing it hurting is fairly unavoidable. But this is a man who expects harm first and hasn't been let down in that regard very often; it's gotta hurt but it's probably a different kind of hurt. For better or worse, that.
It's been 7 seconds. Marta puts her arms at her sides instead of slightly elevated above the water's surface as she watched him through the murky distortion in a room much more dark than bright.
She's proud Ransom didn't just... leave. This, this sitting at the bottom of a constructed bathing pool-type... object is not the same as actively fleeing the scene.
However. It's been 10 seconds. "Oh, my God," Marta mutters to the otherwise empty, echoed chamber. This man is what theater majors wish they were. He studied a dead language because he was so disinterested in communication with nearly any other human.
15 seconds. That's all she gives him until Marta takes a breath and joins him at the bottom of the pool, folding her legs beneath her in order to reach the bottom. Then she's reaching for his hands.
no subject
He's always liked the quality of sound underwater. The way it muffles noise from the surface and the indistinguishable rush of blood in his ears alike, even as he becomes more physically aware of his own pulse the longer he holds his breath. He's always been able to tread water naturally, without the struggle and exhaustion of the constant effort to stay afloat that seems to afflict most people. But he can also sink like a stone. He's practiced holding his breath to find the point where he actually needs to come up for air versus the instinctual animal panic of depleted oxygen. Eventually, it became a reliable way to slow down his heart, if not his mind.
He's not prone to anxiety like she is, but everyone has their limits. And anger can feel very much the same in the body.
Ransom goes under with closed eyes but then opens them, her legs in front of him in that almost prim way she sits, tucked in on herself, knees together but not hiding the softly floating curls of hair at the apex. He doesn't expect her to follow him, except that it occurs to him she would, so when she finally moves he gives a slight nod of confirmation to himself.
He's learning her. Maybe that will be all he needs someday.
She doesn't have a chance to get her legs fully positioned under her, or to finish her reach. Ransom bypasses her hands to grasp her wrists and pull her into his lap. Arms around her waist, keeping her down. And he kisses her. Fucking notwithstanding, he's had enough of these chaste, delicate things. First there's the taste and warmth of the water, then her mouth. So, slightly obscured, but more than the small sips he's gotten before. She tastes like he thought she would. He doesn't know what that means, but he wonders if it will be the same for her cunt, too.
no subject
Fortunately for both of them, her shock doesn't translate well into flailing underwater.
Instead, she's pulled in close and held in his lap, being kissed while still in the water. Somewhere beneath the shock is slight relief that her arms are wrapped around his shoulders because she didn't know what else to do with them. You know, instead of stupidly at her sides (like the time he kissed her in the visitation room at the correctional facility) or hovering in the air (like less than a minute earlier, when he went and put himself underwater in the first place). While Marta knows how to swim and is fairly good at holding her breath, kissing underwater is a new skill that would be desperately lacking in the 'thrilling' department and more heavily weighed towards 'what the hell are we even up to', if not for her partner.
This is only their third kiss, after all. The first had been wholly unexpected on Marta's end and a sort of gloating pseudo-revenge on Ransom's part, to pay her back for surprising him by showing up the week before.... and probably also for an uncountable number of transgressions since he went to prison in the first place. It had been a gentle thing intended to cause some sort of upset, and Marta's responding kiss earlier had been a gentle thing intended to just be. This is different. There's water from the pool that leaks into the corners of it, and all Marta can hear is her own pulse loudly banging in her ears while also being acutely aware that there's barely water between their bodies at this point.
She bites his lower lip. Gets a hand up the back of his neck. Ransom kisses like he means to consume her and she will match that energy.
no subject
So he kisses her. And he makes it really fucking good so it's an adequate distraction for them both within the parameters he's set. He couldn't truthfully say it's hard (—well). For all of their sexting, there's a reason he's seldom told her what he wants to do to her. Because he's tried not the think about it himself, to just enjoy what she's given him with what he can see with his own eyes. He didn't want to yearn, for so many reasons but one of them being his own sanity.
But now that he's got her in his hands there's definitely a starved aspect to it, and all that keeps him from withdrawing from that is the way she meets it. The actual fucking goddamn physical sensation of her against him from her mouth to her small tits to the fucking trimmed hair between her legs. He knows all these parts of her and yes, shit, he wants them.
She bites his lower lip. He groans, but the sound doesn't dissipate through the water the same way it does through the air, almost more felt than heard. It's echoed not too long after by his laugh when Marta pinches his ear and he pushes back against her other hand on his neck to see her looking a little stressed — always such an earnest expression on her. Fine. He's never actually enjoyed fucking in the water, and there's more he can do without its intrusion in their mouths. Ransom pushes them both to the surface and uses one hand to wipe his eyes, sweep his hair back, lazily settling back down on the bench like he never left except that she's on top of him now.
no subject
Ransom's expression is entirely too self-assured for a man she just had to pinch in order to regain the ability to breathe air. Who told her he wanted abstinence and then kissed her senseless underwater not two whole minutes later. On the other hand? It's nice to see him like this - wet, certainly, and in her arms, definitely, but also...
More like himself when he'd won an argument she'd watched him completely derail within moments. Marta touches the back of her teeth with her tongue and rolls her eyes a little. "¡No presumas! You look like the cat with the bird it wants to eat." But she doesn't pull away, or move to stand. Her free hand travels up his thigh and against his torso before moving up his chest and finally joining the other, fingers interlaced behind his neck.
She scoots forward. Just a little, and resolutely does not look down. "What are we abstaining from?" Details. She needs details.
no subject
( cw: ESL microaggressive thoughts?? )
Ransom looks, when she moves in his lap, lashes shadowing his cheeks though the unapologetic shit-eating curl remains at the corner of his mouth. He's been looking, nothing but, and he sees no reason to stop as far as that's concerned. They've actually ended up on a higher bench this time, so he can see that the space between them is negligible, droplets falling from her pubic hair to his balls. It lends an obscene quality to the water dripping from the tangle framing her face.
He almost corrects the idiom — he's never understood why no one does, generally, and has tended to in their own conversations — but decides her rendition is cute enough that he doesn't want to. It bothers him a little that he can't just google the translation of the Spanish, but he's certainly not going to ask. He gets enough from context anyway to assume a similar root to presume and that they're not just homonyms (how does she like his dead language now?). He's heard plenty of its like to get the gist.
Marta touches him and his eyelids remain heavy even as he looks back to her face. His hands have been resting pretty chastely on her waist, but at her question Ransom's thumbs begin to mold themselves briefly into the notches of her ribcage, moving up her body as he thinks. When he'd used that word he had meant it in its entirety, but he's perfectly capable of finding loopholes even in his own walls and boundaries when it serves him.
"I don't want to come," he says, finally, "but you can touch. I like when you ask permission, but I'll just be annoyed if you try to use it to predict what I can take. I can control myself and stop you if I need to." His hands frame her tits now, and his thumb traces below one of her nipples, much like she'd touched below his mouth before.
no subject
The sensation of taking a deep breath in and feeling his hands along her skin altogether sends a shudder up her spine that is simultaneously arousing and settling; she uses that shift in the muscles of her back to scoot herself forward even more. Marta keeps her legs wide across his, which means she can gently grind those damp curls against the base of his cock. "How very Catholic school of you, Terrible Man."
What, did he think that saying she could touch meant she'd immediately default to her hands where he might want them most? No. He gave her the rules, and now Marta gets to play.
She keeps her eyes on his face and hands at his neck as she uses the leverage to move in a slow rhythm that would drive her furiously nuts if anyone physically tried it on her, dragging her ass back and forth in his lap and then lifting her hips ever so slightly so that her nipples brush against his chest; it doesn't take very long for her own arousal to pool and then leak out of her as she pushes her cunt and her clit against his balls and up the underside of his prick, leaving warm dampness in its wake.
He did know this about her, though, that she gets very wet very quickly.
no subject
He's always been slower to harden so was about halfway there himself, but that gets him the rest of the way. Yes, he has noted that about her, the way she hardly needs to touch herself before it's literally dripping down her pussy. His own body tends to guard his arousal more closely. The reason he doesn't like to fuck in the water is because it makes a shitty lubricant, but sitting together this shallowly with Marta this wet seems to be working fine. So fine.
But Ransom doesn't care if she touches him with her hands or her cunt. There's no part of her body he hasn't been allowed, so he wants it all.
His hands are still on her tits as she arches against him and so he pinches her nipples on her downward sweep, pulling them taut before releasing, the touch less synchronous than staggered, preoccupied with each one in turn. He wants to get his mouth on them, anywhere on her, but not just yet; first he wants to watch her reacting to these deliberate touches of his versus whatever she imagines of him in her own mind when she's touching herself. So he uses his hands for now, slipping from her tits to her ass, squeezes where it meets her thighs, fingers digging in, dragging her open. If there's any more open she can be for him without just taking him inside, Ransom is going to find it. He keeps this as leverage to hold her tight to him to force a repeat of her own motion, catching her clit against the ridge of his cock.
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Quite a lot. She only gets wetter but refuses to pick up the pace. Even when he takes matters into his own hands, dragging Marta against him; she has to bite her lip in an attempt to pull herself together. It's, uh... partially effective?
We'll call it that.
"Edging as a tenet of Catholic schoolgirl's life." For clarification's sake, stated through gritted teeth as she moves her hands to his shoulders.
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He likes that sound, likes that it's one he hasn't heard before. Well, he's heard its like before, but better coming from Marta, whom Ransom has particularly wanted to hurt and fuck in an ouroboros of conflicting and congruent feeling. "Did you let them slip it in the back? That doesn't count, right?"
Ransom leans forward slightly, smirk at the forefront before he focuses on her mouth. It could maybe not quite be called a kiss, at least not at first, less a seal of lips than using teeth and tongue to push her mouth open so he can taste her again, this time without the water in both their mouths to dilute it. He bites the same spot she just had a moment ago, running his tongue over the iron flavor of blood underneath the skin. Then he softens his grip on one of Marta's thighs, palms her ass again so he can stroke his middle finger over the loophole in question.
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Thing is Marta isn't sure she cares. It's been roughly two years since her last boyfriend, and a year and some change since her life became entirely topsy-turvy because of Harlan's decisions and then Ransom's response. Even if she were back home where things made sense in a world she was familiar with, Marta would be gagging for it in the lap of this disastrous man. She knows Ransom would not be shy about hurting her, especially enough to leave marks; she knows the sex would be good in a way that autosexual behavior can't quite reach.
Besides, it's partially his fault that she hasn't been able to orgasm much these last two weeks. Ransom sets himself to punishing standards based on any number of factors and Marta is in this... this project of caring about and for a man who thinks he is disinterested and undeserving of either, and thinks she's lying about her capacity in the first place... and Marta goes along as best she can.
Perhaps he gets the gist anyway, despite the lack of words; Marta rolls her hips back and up again, pressing against both his finger and rubbing up along his cock and trying to entice him to do more than just tease her about it. Even though she also knows that water is a shitty lube, and despite her penchant for sex alongside pain she is not well enough prepared for much active anal play at the moment. God, but she wants, and she bites him back, a sharp nip followed by soothing with her tongue and fingers traveling up his neck and into his hair once again.
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It's no short, sharp pinch. It's high enough that his fingers find purchase on her skin where the wetness she's smearing onto his dick mingles with traces of water to create something tackier. He uses three fingers instead of two and wrenches her flesh slightly, for a good few seconds before releasing her. If she wants bruises, that will leave one.
He doesn't mind the bite; it feels pretty good. The wanting is good, this . . . assurance that she wants him in fact and not just theory, easy enough to take your clothes off for a guy behind bars who can't actually touch you. Even the pinch itself is confirmation of that, that he can do the things she said she wanted doing and won't recoil from him when push comes to shove.
She can consider it a note.
Anyway, just because Ransom hasn't let himself indulge in play-by-plays, doesn't mean he hasn't made observations or envisioned scenarios. She gets plenty wet to go around, and it's easy to slip his fingers up to her pussy, card them through the folds and drag them back between her ass. A few more times should be enough to get them going, and it's not like she's in short supply. Another thing he knows: Marta's impatient, but he's really not.
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Her tears don't taper off... not that she really expected they would, since some people involved in all this between the two of them happen to know themselves pretty well. Coming to terms with Ransom being real and tangible and within reach is both an event and a process of realization that is bound to occur over and over again. Marta is very happy to see him, to touch him, to be touched in return. She is also well aware he will turn her impatience against her, and that she will gladly allow him to do that.
Marta tries. Both to have more patience and to press the issue in turn, to try and catch his fingers to tempt them inside her at either end. She moves her hands from his neck to frame his face, thumbs tracing the lines of his cheekbones. "How long are you going to torture me with this, Terrible Man?"
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The way Marta cries right now is almost pure in how physiological it is, like a font breaking behind her eyes with a snap or twist of his fingers. And the curve of her body isn't even so deliberate as approval or encouragement, which he's not particularly interested in either. It takes him a moment to place it: surrender. Submission, if you like, but this feels more potent than any submission he's experienced.
It's a heady feeling for someone who's been in his position for the last year and change. For that reason alone (he knows some stuff about himself) Ransom wants to distrust it. He probably will later. But right now it's such a rush that it even overwhelms his stubborn suspicion. He lifts the hand not currently wet from her cunt and strokes a thumb through one of the tears. Not wiping it away — he doesn't want them gone, his intent not to soothe — but trailing it down the already tracked path. It's only when he realizes they're mirroring each other's touches that he drops his hand back down.
"If you think this is torture," he says, sliding a finger inside her cunt, "you're in for a world of pain, ma petite mort."
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It works, in terms of startling her nerves away from chasing the high of his touch to the quickest culmination possible. For how long that will remain true is anyone's guess.
"That's not really an answer to my question." She can't stop her hips from rocking against him, nor is she trying right now. What she is doing, now that her cunt is too occupied by his finger to continue teasing his cock, is wrapping her hand around the base as she lifts her hips a little bit to give herself a bit of room to work with.
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He shrugs slightly, mostly the opposite shoulder, but the carelessness is belied by his expelled breath when she takes him in hand. He wants to lean against something solid (and maybe a little cold), tip his head back and just watch her ride his hand — and whatever she plans to do with his cock — but there's only empty space, so there's just that much less between them that he can't look at all of her at once. Maybe he's done enough watching, but he does like to. He's never had any complaints about that in and of itself.
"And I'm saying," he answers, "it's not really torture if you know when it's going to end. You've waited a lot longer without that answer." Granted, he was never touching her and is aware of the gulf of difference now that he is, but— Ransom's expression goes through it at the observation, if briefly. Confusion, uncertainty, desire, resignation, disappointment, exhaustion. Yet it's blithe in his way when he says, "You really need one?" It's so much easier to draw a hard line between them when it's just words, and just Marta on the page, the person he once imagined her to be; there always seems to be a limit to how much and how well he can prepare himself for Marta in actual fact.
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Canting her hip just so is something Marta does with a lot of conscious thought; she doesn't want to let her hand go, even briefly, and besides she can.
Mind also too actively busy with her own question, but a breath of realization shudders out of her. "No, not for me. You torture yourself. You make me stand by." Another little breathy laugh, chased immediately by a gasp. She has to stop rocking. She has to just take it.
First, she's got to brace herself. "I'm selfish. I want you for myself." Marta's face is still on his; he has the front-row view of her sincere determination as she bites her lip again. Not hard enough to keep tearing the skin, but enough to taste iron. "Feel you leak out of me."
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If Marta has to stop rocking and he has to pause to process that, there's not a lot of movement going on immediately following her statement. "You're looking for a different word than 'torture.'" Ransom's not going to offer alternatives, because that's her business, and it lies somewhere behind an earnestness that does something akin to making his skin crawl. With the hand not currently buried in her cunt he gestures at the otherwise empty bathhouse, between the two of them.
"You've got me to yourself," he says, less romantic than annoyed. "You have what you want."
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At which point she'll become very insistent on the specific wheres and hows of it all, of course.
Until then: head tilted, brow gently furrowed on that earnest face he loves to hate, or at least did for a while. Nowadays, Marta is fairly certain it's managed to get even more complicated than that. "Tell me what words you think I should use?" They've both been still for a while, she realizes, and moves her hand very deliberately upward and then down again. "I have you to myself. What I want... is your happiness."
Something he is distinctly denying himself, isn't he?
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"I should've just drowned myself. Don't think 'cause you've got my cock in your hand that's off the table." He sighs and thrusts his fingers into her cunt punishingly. "Marta. I have been out for one day." And, wryly, "My needs have gotten a lot simpler. It would make me delirious with joy to feel you come. How about we let that be good enough?"
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But, look, she can communicate her intentions before the words reach her. By shaking her head very decisively no and not breaking eye contact.
Her hand does go still. She hadn't realized that he hadn't realized, after all.
"If you don't come, I don't want to. Not for the first time." What was that thing he repeated from Benoit? "In for a penny, in for a pound."
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He pulls his fingers out of her with a huffed laugh. Lets his hand splash quietly in the water, rinse away the slickness. "That wasn't a stipulation." But he doesn't really expect an answer to this either. He's a little surprised but realizes he shouldn't be. Maybe impatient in the moment, but self-aware about it, and this is the girl who'd intended to wait for him to get out of prison.
"Do you want it to be special, Marta?" Both palms pressed to the bench now.
The question is mocking, sure, but there's also something genuinely pitying to it. He can make it good, especially knowing they have the same idea of what good entails, but he can't be that for her. Ultimately he'll seek his own pleasure, and it won't be anything more than sex. He's just not built that way.
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She can feel how it unsettles him. "I know. You didn't trick me into it." But it matters, to him, so it matters to her. Together, now or together, not now. The together part cannot be extracted from the rest. It feels like it could be considered by others as an extreme, except for the part where Marta remembers that everyone else he's ever known clearly picked the not at all... with no other caveats... at every given opportunity.
"If I say no, I don't want it to be special. It's because you say special like it's a Christmas candy. Too sweet, too syrupy. Sticks to the roof of the mouth. And I don't want that. And if I say yes, that it will be special to me. Because it's you. You will go back into the water. So I'm not saying either." Marta takes a breath and forces herself to stand, putting her hands on his shoulders to balance as she shifts her weight from one leg to the other.
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